Millard Process

i started with a squashed angled regular brush with no dynamics turned on. working in monochome on a multiply layer i blocked out the major light and dark using 3 main values. i then added a layer set to "color" and started adding the hues. from here i started introducing different brushes and different opacity settings on another layer set to normal, the basic work flow being from opaque and crisp to glazing in using a vareity of textural brushes. i'm seriously considering laying this out more throughly in book form.

Millard in the Fall

nothing like a good nights sleep to make you sharp and ready to paint.

Cal Tech - no color

pretty overcast, not much happening. accurate at least.

Return to the Arboretum

'da plane, 'da plane. thanks to Marcus for pointing this great spot out.