Lovely work here. I got a chance to meet you at PDI a while back and I wanted to ask you a question. In regards to getting a painterly feel to photoshop work, what brushes do you recommend? I know artists have their personal preferences, but I'm curious to see what you use. take care.
there was really only 2 brushes for this painting. the first was just for block in, it was a squashed tilted round with no dynamics and 90% of the rest was one of the "dry media" or chalk brushes that comes standard in photoshop. the rest is some careful glazing and scumbling at the end with pressure and opacity set anywhere from 50%-30%.
i tried posting this several times but my internet failed, I just wanted to say I like the 2nd to last step better, without the denser atmosphere, it gives a clearer mood in my opinion (the heat)
Hi there. My name is wallace kirkwood and im looking to break into the visual arts biz, hopefully pixar one day. I just finished a course in computer animation and looking for employment. Currently Im working on a new more focused demo reel. I was just looking for some pro feed back if you know what I mean. Anyways if anybody out there is interested in taking a look at what I have so far heres a link. http://www.livevideo.com/wallace.kirkwood
By the way I think you are a outstanding artist and draftsman. How long have you been doing this as a pro or getting paid as a artist? Thanks to any and all who take the time to look at my demo and portfolio. I know I need to matt all the portfolio pieces thats a given but Im not applying for employment until I take care of all current and any other issues. Basically Im looking to make a great first impression.
14 Comments:
perfect, man. I love the way you knock forms back into the atmosphere.
Another great one. Thanks for posting the steps! Now I'd like to see your PS brushes...
Lovely work here. I got a chance to meet you at PDI a while back and I wanted to ask you a question. In regards to getting a painterly feel to photoshop work, what brushes do you recommend? I know artists have their personal preferences, but I'm curious to see what you use. take care.
there was really only 2 brushes for this painting. the first was just for block in, it was a squashed tilted round with no dynamics and 90% of the rest was one of the "dry media" or chalk brushes that comes standard in photoshop. the rest is some careful glazing and scumbling at the end with pressure and opacity set anywhere from 50%-30%.
i tried posting this several times but my internet failed, I just wanted to say I like the 2nd to last step better, without the denser atmosphere, it gives a clearer mood in my opinion (the heat)
Nice Rup! Do you usually block it in as values first?
-J
i find i generally get better results when i do the value first
Very cool to see how you go through the steps. Thanks for posting it.
Hi there. My name is wallace kirkwood and im looking to break into the visual arts biz, hopefully pixar one day. I just finished a course in computer animation and looking for employment. Currently Im working on a new more focused demo reel. I was just looking for some pro feed back if you know what I mean. Anyways if anybody out there is interested in taking a look at what I have so far heres a link.
http://www.livevideo.com/wallace.kirkwood
I looking for honesty and constructive critics.
wallacekirkwood@hotmail.com
By the way I think you are a outstanding artist and draftsman. How long have you been doing this as a pro or getting paid as a artist? Thanks to any and all who take the time to look at my demo and portfolio. I know I need to matt all the portfolio pieces thats a given but Im not applying for employment until I take care of all current and any other issues. Basically Im looking to make a great first impression.
Another beauty, Robh. Thanks for posting the play by play.
Beautiful landscapes as always....thanks for posting step by steps for us.
fantastic color and mood, and the steps are great!
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